Reel Big Fish & Less Than Jake – Tickets – College Street Music Hall. – New Haven, CT – June 18th, 2015

Reel Big Fish & Less Than Jake

Manic Productions, Asbestos Records, and Premier Concerts Present:

Reel Big Fish & Less Than Jake

Ballyhoo!

Thu, June 18, 2015

Doors: 6:30 pm / Show: 7:30 pm

$25.00

This event is all ages

Reel Big Fish
Reel Big Fish
Reel Big Fish were one of the legions of Southern California ska-punk bands to edge into the mainstream following the mid-'90s success of No Doubt and Sublime. Like most of their peers, they were distinguished by their hyperkinetic stage shows, juvenile humor, ironic covers of new wave pop songs, and metallic shards of ska. The group cultivated an underground following that broke into the mainstream in summer 1997, when the single "Sell Out" became a modern rock radio and MTV favorite. Reel Big Fish's popularity gradually waned in the subsequent years, following the decline of ska-punk as a marketable genre. Nevertheless, the band restructured its lineup and continued issuing new material to a smaller (yet considerably rabid) fan base.

Based in Huntington Beach, California, Reel Big Fish were originally a trio comprised of vocalist/guitarist Aaron Barrett, bassist Matt Wong, and drummer Andrew Gonzales. At that stage, the group was a conventional rock band with pop-metal leanings that covered both classic rock and Top 40 songs -- essentially, it was music designed for frat parties. After several months, the band discovered ska and decided to bolster its lineup with the addition of horn players. Reel Big Fish had a difficult time maintaining a stable horn section, and it took several years before their final lineup -- featuring Tavis Werts (trumpet), Scott Klopfenstein (trumpet, vocals), Grant Barry (trombone), and Dan Regan (trombone) -- fell into place.

Everything Sucks
This definitive incarnation of Reel Big Fish recorded its self-released debut album, Everything Sucks, in 1995. Everything Sucks became a word-of-mouth underground hit in ska-punk and college circles, which gave the band enough leverage to sign with the indie label Mojo Records. The label's president, Jay Rifkin, and former Oingo Boingo bassist John Avila co-produced Turn the Radio Off, which marked the band's first album for Mojo. Turn the Radio Off was unleashed in August 1996, and over the next year, Reel Big Fish continually toured in support of the album's release, expanding their fan base all the while. In spring 1997, the single "Sell Out" began receiving heavy airplay from several influential modern rock stations in the U.S., which soon translated into MTV support for the song's quirky video. By summer, the song had become a moderate modern rock hit, and the album had charted in the Top 100. In July 1997, Reel Big Fish released the Keep Your Receipt EP, which contained "Sell Out" and several outtakes, new songs, and live cuts. Why Do They Rock So Hard followed a year later, and in early 2000 the band returned with a reissued version of Everything Sucks.

Cheer Up!
The guys wound up on Jive Records in fall 2001 when their current label, Mojo, was bought by Jive's parent label, Zomba. Reel Big Fish's first release for Jive, a rock-oriented record entitled Cheer Up!, appeared in mid-2002. Years of touring followed, during which the band shared stages with the likes of Sum 41, Catch 22, Lucky Boys Confusion, the Matches, and Zebrahead. Replacement drummer Carlos de la Garza (formerly of Suburban Rhythm) eventually decided to leave the lineup, and his last show with the group was recorded live at Anaheim's House of Blues in June 2003. A DVD of that performance, The Show Must Go Off!, was released by the end of the year, and the band's next album, the cynical yet catchy We're Not Happy 'Til You're Not Happy, was issued in April 2005. By this time, the group's lineup had shifted to include Barrett, Regan, Klopfenstein, Wong, new trumpeter John Christianson, and drummer Justin Ferreira (who was later replaced by Ryland Steen).

Our Live Album Is Better Than Your Live Album
Touring continued for the rest of the year, and Reel Big Fish happily parted ways with Jive in January 2006, having wished to be dropped from the label since Cheer Up!'s release. A co-headlining tour with MxPx followed that summer, allowing Reel Big Fish the chance to gain their footing as an independent band. In August, the group self-released a double-disc live CD (along with an accompanying DVD) titled Our Live Album Is Better Than Your Live Album. A few months later -- and much to the annoyance of the band -- Jive issued its own Reel Big Fish album, a best-of compilation entitled Greatest Hit...and More. Reel Big Fish received no money from the album's sales, as Jive Records now owned the rights to the bulk of their songs.

Duet All Night Long
Nevertheless, Reel Big Fish returned with some new material in February 2007, splitting an EP (Duet All Night Long) with their friends in Zolof the Rock & Roll Destroyer. Monkeys for Nothin' and the Chimps for Free followed several months later, marking the group's first full-length studio release since leaving Jive's roster, and 2009's Fame, Fortune and Fornication found the band covering songs by the likes of Poison, Slade, and Tom Petty. In 2011, longtime member Scott Klopfenstein left Reel Big Fish to focus on raising a family, with Goldfinger's Matt Appleton taking over for him. The following year, the band released its first album of new material in five years, Candy Coated Fury.
Less Than Jake
Less Than Jake
Less Than Jake are back!
“But they never went anywhere,” you protest. Well reader, in that sense you are correct. But this fall they’re not only serving up their first full-length in five years, but—after more than two decades together—also embracing a total back to basics approach.
Throughout a career that has run the gamut from self-releases and small indie imprints to large independent labels and major music conglomerates, the band has always been more than the sum of its parts. Now more than ever, though, they espouse their stature as a DIY collective that works together—or at least in tandem with a few trusted allies—on every element of their creative output. Drummer Vinnie Fiorello recalls, “We started out very internal, and nowadays we handle a lot internally again. ”
The result of their old school approach is the old school sound of See The Light, created without any external meddling from corporate lackeys. “Everyone had their alone time with chords and some quick structures; we all put our ideas down before we got together,” says Vinnie. “Then we sat at an octagon table in our warehouse and went through: this is what we think about this song, maybe we should do it ska, maybe we should do it punk—true band songwriting in essence.”
Not only was the songwriting a true group effort, but—like the three EPs the band have released since 2008’s long-player GNV FLA—so was the actual recording of See The Light, which was tracked entirely at Gainesville’s The Moathouse, owned by LTJ bassist Roger Lima, who took lead production duties with communal input and assistance from his four band mates and live sound engineer.
“Roger has been recording our demos since the beginning of the band and steadily has worked his way up learning about studios from everyone we’ve worked with in the past,” says trombone player Buddy Schaub. With no ticking clock and no studio fees piling up, the band used their breathing room to create somewhat of a rarity in today’s prefab music world: a full-length album that gels as a complete thought, lyrically and musically. Buddy adds, “I think this is one of the closest representations of our band to date. We’re all really excited for this record to get out into the world and we can’t wait to hear what people think!”
Like 2000’s release Borders and Boundaries, the new record was mixed at the famed Blasting Room by punk rock legend Bill Stevenson (Descendents, Black Flag) and Jason Livermore, but don’t let that lead you to believe that there’s anything same-ish about See The Light. "If you’re expecting retreads and repeats, this record will disappoint,” exclaims Roger. “It’s all new songs and new vibes only recorded in our old school way.”
While some other bands of a certain vintage are latching onto musical trends, you won’t find any dubstep beats or vocoder distortion on See The Light—a title that nods to the band’s history of marrying dark lyrical content (the tunnel) to bouncy musical arrangements (the light at the end). Less Than Jake aren’t turning away from their roots, and echoing Mark Twain, Fiorello points out that the rumors regarding their genre’s demise are greatly exaggerated: “Punk has been declared dead every year for 30+ years and it’s still going stronger than ever. People like to declare things dead just because it’s dead to them, but if bands are passionate about what they’re doing, they’ll attract fans who are passionate.”
As fits a band born long enough ago to now be of legal drinking age, Less Than Jake pulls in a multi-generational audience, which Vinnie notes is often a family affair. “Our crowd now is 16 to 40, and I’ve met kids as young as eight or nine. Dads bring their sons and it’s a weird rite of passage; moms bring kids in saying, ‘We’ve watched you guys for 15 years.’ But will the band stick around long enough to draw in a third generation of fans? “I don’t know man. I think our guys on that would be NOFX and Bad Religion. When you see Fat Mike or Bad Religion hang it up, maybe: but like them, we’re gonna ride that out.”
Ballyhoo!
Ballyhoo!
A rock band with punk energy and pop reggae grooves, Baltimore's BALLYHOO! are a fun, fan-loving powerhouse. These road dogs have tirelessly toured coast-to-coast taking their music to the people. Between the road and the studio, BALLYHOO! have crafted a sound distinctly their own; fresh, fun, and embodied by the soul of the party lifestyle. Lead singer and guitarist, Howi Spangler, has a reputation for mixing slick lyrics with his smooth but powerful voice. Drummer Donald Spangler lays out the hard-hitting beats. Scott Vandrey layers in the finishing touches to the band's signature sound on keys. The guys recently welcomed Nick Lucera as their new bass player.



BALLYHOO! released their 5th studio album Pineapple Grenade on June 25th 2013. It broke through the Billboard Top 200 at #189 as well as reaching #4 Billboard Heatseekers and #5 at iTunes Alternative charts.





The album features "No Good," produced by Rome Ramirez (Sublime with Rome) and mixed by Paul Leary (U2, Sublime); while the first single "Run" saw an early radio add from KRAB Bakersfield and early radio spins by KROQ Los Angeles, WHFS Baltimore, KTCL Denver, and KCXX Riverside among others. Alongside the album release, BALLYHOO! co-headlined the 2013 Summer Sickness Tour with Authority Zero and special guests Versus The World. Pineapple Grenade is the band's follow-up to the 2011 LAW Records release of "Daydreams," which debuted at #1 on the iTunes Reggae Charts and #4 on Amazon.



BALLYHOO!'s unique yet melodic blend of genres, along with their hardcore devotion to the road and their fans have pitched them into snowballing success. The band has performed with a myriad of national touring acts; 311, Slightly Stoopid, SOJA, The Dirty Heads, Matisyahu, and more. Tour highlights include the 2011 311 Pow Wow Festival, the 2012 and 2013 311 Caribbean Cruise, Bamboozle 2012, 2012 Charm City Music Festival, 2013 Cali Roots Festival & the entire 2012 Vans Warped Tour. In 2011, after concluding the Last Calls and Liabilities tour with respected contemporaries, Pepper, they were honored with being included on the ever-popular Hollister Holiday Playlist. They were listed on MTV's Top 100 Bands to Watch and even featured 2 downloadable songs on the popular video game ROCK BAND.
Venue Information:
College Street Music Hall.
238 College Street
New Haven, CT, 06510
http://www.collegestreetmusichall.com

Parking Information